How do you come home, JD, from
horror and become a 1940’s preppy when
you’ve walked among crisp,
contorted bodies stacked one
on another and then, once in a
while a haunting, disturbing
whimper emerges, not from the young
twenty-something American
sergeant, but from the stacks
of corpses and then jumping
into the lake with the kids,
college, parties and decisions
about majors and minors and
careers. Really? How do you
stay out of the psych ward or
how do you get out of the
bunker – by hunkering down
yourself and writing, writing,
writing about innocence pro-
tected so you can get out of
the bunker of rage at the shall-
owness, superficiality, which
always end in brutality, carnage
and stacks of burned bodies from
which there is a whimper, and
always a whimper from a young
woman/girl, almost too young
girl, innocent along the beach
or in her dorm room. In his
bunker he remained Peter Pan,
the Lost Boy, betrayed over and
over by a too wifely Wendy
until he met the au pair, some-
one to care for a scared, little
boy who never grew up
even at the time of his death at 91.
Bob, that’s a perspective on J. D. Salinger that I’d never considered. Pretty powerful. Salinger was my favorite writer when I was younger.